HILLS is an artwork that explores the relationship between the emotions captured in works shared on the early internet and the impermanence of the digital files connected to them. As forums and art-sharing sites slip into the category of lost media, so too does the art that was once shared there—even though the feelings expressed in those works continue to live on.

Cowboy Killer is a photographer and mixed media artist whose work has been featured in major auction houses and galleries, including Sotheby’s, Christie’s, Asprey, and SuperRare. He combines emotion and technique to create striking, evocative images that have resonated with collectors and art enthusiasts around the world.

A deeply personal 1/1 artwork by omentejovem, it reflects on a time when digital art became his lifeline—nights spent in solitude, prayers for direction, and dreams that felt both distant and near. Created in honor of his early days on SuperRare, the platform that first believed in his vision, the piece captures the emotional weight of starting from nothing and choosing to dedicate everything to storytelling through art. It marks the beginning of his upcoming series Stories on Circles, exploring the cyclical nature of life and the shared, often unseen, threads that connect our personal narratives.

Born in 2001, Thales Machado, pseudonymously known as omentejovem, is a Brazilian artist who translates stories and visions through his artwork. He is best known for his intuitive use of color to create fluid and deeply personal pieces and is widely regarded as a pioneer in the Brazilian cryptoart ecosystem

XIIIORA captures a moment when what is constant and established begins to shift—disintegrating under the influence of the modern digital wave, dissolving into constituent grains, and reassembling into something new. Titled XIIIORA, the work embodies a coded moment where mystery and transformation intertwine. The number XIII carries the mystical power of change, signaling the birth of something new. ORA, echoing the Latin hora (hour), symbolizes the turning point—the moment when stillness gives way to movement and time unlocks the doors to freedom. XIIIORA is the crossroads of the unknown and the possible—a moment when everything changes.

Zhuk brings a uniquely modern lens to classical figurative painting. Her practice bridges traditional and digital media, transferring her artistic technique into the digital realm. By exploring the act of painting with a real brush, she has developed a distinct digital style. Her work has been featured at the 59th Venice Biennale, Sotheby’s Auction House, TIME Magazine, Art Basel Miami, and more.

Swan Songs explores the finite nature of technology and the ways in which we engage with it as humans. Our creations—no matter how advanced—are ultimately transient. This work invites us to find beauty in impermanence, whether in our relationship with technology or with one another.

Terrell Jones (b. 1997) is a Digital Artist, Designer, and Creative Director born in Ann Arbor, Michigan. He began drawing at the age of four on the walls of his childhood home, influenced by cartoons, manga, and the sketches his older brother brought home. His illustrations draw inspiration from film, nostalgia, fashion, and introspection. In late 2022, he coined the term “Pop-Precisionism” to describe his signature style—a fusion of Pop Art, Precisionism, and Realism.

The servers hum, a final breath.

Photon Tide, also known as Pho, is a mixed-media artist recognized for his psychedelic and experimental style. His work explores the limits of human consciousness through dream-inspired series, delving into human emotions and the essence of what it means to feel.

Life feels distorted—how do I tune back into the right frequency?

Montreal-based artist FVCKRENDER (Frédéric Duquette) pushes the boundaries of imagination and technology, blurring the lines between the physical and virtual worlds through his ambitious, experiential art. Describing his work as a form of therapy, FVCKRENDER has been featured in esteemed auction houses such as Christie’s and Sotheby’s. His notable clients include Ledger, Supreme, Hypebeast, The Hundreds, Swarovski, Dior, Avant Arte, Spotify, and TIME. In 2025, he co-founded Foil Gallery in Montreal—a space that bridges digital and traditional art while fostering a sense of community through its integrated café.

A poem by Technelegy – an emergent AI poet conceived by Sasha Stiles to invoke the voice of our transcendent age. Part of the ongoing generative performance HEART MANTRAS (2024-onward), in which an autonomous epic about love, survival and interdependence continually writes and renews itself in real time.

Sasha Stiles is a first-generation Kalmyk-American poet and artist whose work bridges tradition and innovation through hybrid poetics, generative imagination, and collaborative intelligence.

An artificial celestial alignment, a quiet vanishing, the still point of the turning world.

Reuben Wu is a visual artist, photographer, director, and musician exploring the quiet disruption of the familiar. Framing the natural environment with artificial intervention, his imagery navigates themes of digital proliferation, memory, and the unfamiliar.

QUANTUM HEX MACHINA is about a now-lost digital artwork I deleted from every form of digital storage - including my own computer.

The only way to discover it (and for me to see it again) is to reconstruct the scrambled string and unlock it through an on-chain interactive portal, designed to verify and reveal the hidden piece.

The string was scrambled beyond the reach of today's technologies - like a locker of millions of gears. The artwork now rests in limbo, awaiting the arrival of quantum computing to be resurrected and seen again.

Not even I, its creator, can view it until that moment comes.

"A relic of the future" - like scattered ashes of a Phoenix awaiting rebirth.

Andrea Chiampo is an Italian London-based contemporary artist and established Concept Designer for the movie industry. His art is characterized by an eerie, surreal, and dreamlike quality, often featuring otherworldly landscapes and fantastical creatures.

This painting explores the shifting ground beneath humanity’s latest innovations – the slow, irreversible handover from maker to machine, from thought to automation. A being both mechanical and organic, a creation that transcends its creator. The girl may only witness, as we all do, standing at the threshold of something new, something inescapable.

ALL SEEING SENECA creates surreal worlds where “cosmic horror meets candyland.” Raised in Shanghai, she turned limited access to media into a drive to invent. A RISD grad, her work spans fine art and illustration, with sold-out series and shows at Phillips, Albertz Benda, and The Armory. Her moody, dreamlike style channels storytelling, emotion, and resilience.